From friend of the UDL, Kristin Horton:
After/Life is a new play about the ’67 Detroit rebellion that braids together oral histories with archival materials, poetry, song, and dance, and is the first theatrical accounting of the rebellion told with a focus on the experiences of women and girls. Lisa Biggs developed and produced the script in Detroit, Michigan, under the direction of Kristin Horton, Associate Professor of Theatre Practice at New York University’s Gallatin School of Individualized Study. After/Life was performed the last two weeks of July 2017 in conjunction with several community commemoration events that marked the fiftieth anniversary of the rebellion. Here Biggs and Horton discuss how the decision to offer the piece as a site for community commemoration shaped the content and aesthetic choices of the production.
Kristin Horton: Lisa, how did After/Life begin?
Lisa Biggs: When I moved to Michigan in 2013 from Chicago, Illinois, I knew very little Michigan history. That fall, stories about the collapse of the auto industry, police brutality, mortgage crisis and water shut offs, the emergency management situation, the poor conditions of the roads and schools across the state dominated the news. Michiganders around me specifically identified the issues of police brutality, workplace and housing discrimination, and nonresponsive elected officials as contributing factors to the historic and contemporary conditions….
Read the full interview here.