On Monday November 6th, Gallatin’s Urban Democracy Lab (UDL) hosted Miriam Greenberg, Penny Lewis, and Daniel Aldana Cohen, contributors to the new book, The City is the Factory: New Solidarities and Spatial Strategies in an Urban Age. The conversation dived deeply into what would constitute a truly sustainable city. This panel honed in on the exciting prospects of progress that exist in the future of cities, focusing on the connection between urban longevity, labour rights and disaster relief response.
The Lower East Side’s City Lore gallery exhibits and “preserves the grassroots, cultural heritage of NYC” through art showings and screenings. They recently hosted two important films on interrelated themes affecting the lives of young people of color. They screened ‘GET LITE’ on June 17th, 2017 on a dance subculture; as well as that of WHOSE STREETS on October 11th, 2017 on the organization behind the Black Lives Matter movement and quality of life policing.
GET LITE exhibits the art of litefeet, “Litefeet is the new American dance; a dance done by hustlers and dreamers qua criminals; a dance of ambition and talent… a dance of underprivileged youth looking for a break in a city that criminalizes their movements”. “WHOSE STREETS” is a first-hand exposè of the continued police violence which followed the murder of teenager Michael Brown by police officer Darren Wilson on August 9th 2014. Directors Sabaah Folayan and Damon Davis feature several of the voices involved in the initial rise of the prominent Black Lives Matter movement. While WHOSE STREETS reshapes the narrative of mainstream media by focusing on the glaring malpractice of the police force in Ferguson, Missouri and highlighting the immense accomplishments of grassroots organizing, GET LITE uses the art form of Litefeet to frame a conversation on the criminalization of non-white youth in New York city.